summer dusk
summer dusk (a symbiotic poem)
Always, a loon scours the river shore with me. We dip into indentations of footprints. Share secrets we unravel: the scalloped lips of shells, the broken ribs of fish, the names we name stones. We use no words. The loon thinks he sings, his song always a dirge. I sigh on endless waves, my sighs fragile as peace. We count our regrets on fingers of evergreens, codes a river will never understand. At sunset, the loon spreads its wings to scoop the sun. I let loose my hair in strands to make a web. We wait.
summer dusk
a spider gnaws
at the sunset
LYNX 28:1 February 2013
being there/refracted twilight (my haibun at LYNX)
being there
…it is the rhythm that’s constant it seems and not the stillness—the way the wind pulls and withdraws and the way the leaves sway and retract or how the clouds gather into masses and then dissipate into air or is it merely the eye that misses the jagged movements and edges and catches merely that moment when the rhythm shows and reassures us as in the constancy of flowers even as petals begin to brown and curl in the edges and fall, stripping the branches of their name because all we recall is their being there as in moments we have flowed into still flow into like on our early morning walks when
shifting tides–
the river unloading burdens
for us to decode
refracted twilight
…first time ever that twilight struck me as that almost sacred time when the day tears away to let night slip in, how the bleeding sunset fades into lemon yellow to shell white so much so that facing west where the light seems to turn down as in a timer heartbeat by heartbeat, the houses, trees and flowers even weeds become solid walls of darkness—no punctured points on twigs, no dancing spaces between leaves—but haven’t I watched this on my daily walks long ago back in Harbor Hill but then, the roosting sparrows and the first star on tips of pines pulled my steps back to ruminate and settling in, twilight would be for us that time when
first star—
we turn down the darkness
on our own sky
(excerpts from a diary)
LYNX XXVII:I February 2012
browning river (NaHaiWriMo post)
browning river
I turn woolens inside out
for hemming
prompt: new beginning
solstice (a tanka*-ish reflection for One Shot Wednesday)
only in fullness
am I still–
i cast no shadow
as a rendezvous
dissipates into a sob
the wind flails
hapless
in the gingko twigs–
where perfection
encases feelings
if punctured
fibres
of wombs burst
water before blood
into birthing
a cry of rage
flags what a heart
hoards–
peace when it settles
lines its chambers
nothing like a Nautilus
the heart is but a pump
the fist opening
and closing
for fluids to flow
red colors
a river the heart
conjures–
layers of molecules
veil its nature
until the solstice
skids past its point
of stillness
wholeness is truth
until
a heart breaks
until a birthing point
reverts
to that first sound
that cry of rage
*tanka, sometimes known to be the precursor of haiku, is a 5-line Japanese poetic form used by court poets of ancient Japan. Scroll down for my post on this form in February.
Posted for One Shot Wednesday at On Stop Poetry where poets and artists of the most inimitable talents gather to share and support each other. Check it out!
Shuffled seasons (for One Shoot Sunday)
The narrow aisle flows a river to a wall
Of white thought
What squares of light have no glow
On the surface of water?
Who spawns the flat bed of dreams my steps
Struggle to cover?
Imprisoned by air I breathe a stale paradise
Of jasmine blossoms
I hear the rain a hissing of limbs on trees
But the moon does not rise
Day ends at my door night turns the stars
Upside down
‘”Where is your walker?” “Excuse moi?” What tongue
Speaks in this land?
“You cannot leave without it?” “Why, who’s heading out?”
The grubs I picked wriggle
In my closed fist I am growing a butterfly
No one knows
In my bareness I feel drenched in dew my bones
Misaligned rattle
“Now let’s go back in.” “Who has left her?”
No one comes today
I draw a caul on the day withdraw into night
Retrieve what’s lost
The sign posts melt on the flowing river
My hair long undone
I shuffle the seasons: in my eyes autumn leaves fall
But cherry blossoms
Oh, he rises to me my cane I draw my arms a lover
Now my wings
Copyright (c) by Alegria Imperial 2011
Written with an image prompt by Greg Laychak for One Shoot Sunday at One Stop Poetry, winner of the 2011 Shorty Award for the Arts, the inimitable gathering place for poets and artists. Share with us as we do ours your art or poetry and your thoughts. Check us out.
To write a poem (wordplay on an old typewriter for One Shoot Sunday)
is not to catch
the words unlatched:
it is to meet
a current against the sweep
against the words
the patterns on the board
the words imprint
that later fade so like river silt.
To catch a poem
you can’t, unless eyes firm
eyes glued to the vaulted
deep from where had bolted
these words you unleash
on lines that leap
your fingers balancing
thought on words that slink.
To catch the thought
that storms into desert draught
you choose the speed
or letters scrambling in the deep
delude the eyes
escape the mind on ice
old keys do creak when cranked
to catch the lines unlatched.
To catch a storm wreaking
havoc on a heart sinking
in a slew of silted dreams
rusting on dredged streams
where winds howl threats
of maddened sand and dust like breaths
the finger tips must kiss
the letters naming muses hissing.
To catch the muses
soothe their caricatured faces
bare your soul salvaged
from old thoughts once baggage
tear out the paper
spewing lies of hereafter
catch the words that spell
the truth about their names true to their spell
on you to write a poem.
Posted for One Shoot Sunday at One Stop Poetry where a community of poets and artists share their love for their art and continue to sustain each other. Check us out!
heron’s splash (published tanka)
heron’s splash
on river marsh rocking
the sound of water –
a mountain of wash
after he left home
First published in LYNX XXIII:3, October 2008
This tanka was first returned to me with a lovely note from the editor of a tanka journal, telling me to read more on the art form, work on writing it and perhaps submit again. She said though that first attempts don’t usually make it, nor the second ones. After reading a lot on tanka, I was convinced I wrote mine true to its form and so, I pushed my luck. I submitted the same batch to LYNX and lucked out on three of them getting accepted, one of them, the above.