My haiku at haikudoodle’s ‘Dia de los Muertos’ (Day of the Dead) page, a theme for the month
My haiku beautifully interwoven with excellent and masterfully crafted haiku, tanka and haiga by mostly great poet friends at Margaret Dornaus’ Dia de lost Muertos (Day of the Dead) page at her blog haiku doodle shared as link on my blogroll. It’s a month-long theme with prayers offered for our beloved dead in most Christian Catholic churches. Check it out!
pine sprigs—
discarded memories
on an old grave
candle drippings
on the epitaph—
a broken word
disarmed
the cypress grove
bares my grief
autumn rain
on the stone virgin’s shoulders—
my tears
day of his death
a paddle of wings
forever
Because there were no pictures during the burials and the graves of my beloved dead, I’m posting here my shot in a vist last summer at Robert Frost’s grave at First Church, Bennington, Vermont, his eptiaph: ‘I had a lover’s quarrel with the world’. Buried with him in this grave are his wife and children
my bilingual haiku, tanka and free verse for National Poetry of the Month guest post at haikudoodle
Excerpts from Margaret Dornaus’ blog today
http://haikudoodle.wordpress.com/2012/04/09/national-poetry-month-guest-post-6-alegria-imperial/
(or click on haikudoodle on my blogroll)
haiku
(Iluko with English translations by the author)
batbato iti
kapanagan
sabsabong ti sardam
stones
on the riverbank
dawn flowers…
LYNX XXIV: February 2009
tanka (Iluko with English translations by the author)
ayuyang-limdo
diay aripit ballasiw
ditoy a sumken
sinit a nalidliduan
nagtinnag nga anem-em
a haunt for sadness
the dried creek at the crossroad
here they recur
those untended flushes
turned chronic fevers…
LYNX XXV (June): 2, 2010
agsapa (in Iluko with translations by the author)
by Alegria Imperial
naimayeng
dagiti bituen idi mangngegda
ti as-asug
dagiti bulong iti sipnget
narba
dagiti pinatanor ti lawag
iti danarudor
dagiti agam-ammangaw
Bannawag, the Ilocano vernacular magazine of the Ilocos region in northern Philippines, May 16, 2009
dawn
(a loose translation with some nuances substituted as in some verbs, which in Iluko already imply a subject, and nouns that need no adjectives)
startled,
stars fell in the dark
among leaves
pining over lost suns–
loves
that light birthed
drowned in the roar of the
faithless….
http://haikudoodle.wordpress.com/2012/04/09/national-poetry-month-guest-post-6-alegria-imperial/
haibun (rewrite with deletions)
More and more news on Japan. More and more images of movie-like devastation in Sendai. Lives and homes and things dissolved like play things, bouncing on waves cardboard-like–as well as plums and cherry trees perhaps, how would Sendai spring be like now? Where these haven’t been uprooted, here’s how my friend, mi hermana, Margaret Dornaus (haikudoodle) sees it in a haiku:
weeping cherry . . .
so many blossoms downcast
by spring’s heartbreak
What do you see? You may wish to share it here or simply write it for yourself. Let’s offer them like incense for Japan.
pine tips (a haiku rewritten from a non-haiku)
pine tips holding up
to the winter sky–
how low can stars fall?
the non-haiku
Pine strands
flailing: how low can stars fall?
Why I think it’s not haiku:
1. it doesn’t have the two parts of a haiku
2. the first part is an incomplete thought, also, wrong word usage–strands don’t quite describe pine branches and flailing suggests something like strips or threads or strands like hair which could describe willow branches–hence,
3. the second part is meaningless or
4. the juxtaposition does not work
5. therefore, it’s not a haiku moment
Perhaps the rewritten version works better though I’m still uncertain about it. The second part might be, as Patrick G would describe, ‘author-driven’. But I’m quite content that I’m seeing batches of non-haiku I’ve written more clearly, and writing haiku that work sometimes.
What had helped? Reading a lot, interacting with haiku lovers-writers who have turned friends-who-care like Patrick Gillespie at poemshape and Margaret Dornaus at haikudoodle, but reading especially Melissa Allen’s haikuverse at red dragonfly. And there’s the monthly meeting with my Haiku Vancouver Group!
last ornament (Christmas eve)
last ornament
on the Tree, a crane origami–
Christmas eve
A rewrite from original haiku posted in Margaret Dornaus’ blog, haikudoodle under the topic “trimming the tree”.
About
autumn wind
wondering about lilies
in a mountain pond
Tell me a writer who really gets a satisfying jornal, in Spanish a daily wage or its equivalent, and I’ll bare a spirit in constant bouts of doubtfulness. Does a writer earn more because of what he writes and how he does it? Or is a writer paid more or less because of who he is? Is it money or honor he expects to receive?
Ahhh … but money as wage, and praise or honor as reward would be too predictable, too common as Job lamented in the Book of Job. It is in these lines that read: “Is not man’s life on earth nothing more than pressed service, his times no better than hired drudgery? Like the slave, sighing for the shade, or the workman with no thought but his wages, months of delusion I have assigned to me, nothing for my own but nights of grief. Lying in bed I wonder, ‘When will it be day?’ Risen I think, ‘How slowly evening comes!’
Restlessly I fret till twilight falls. Swifter than a weaver’s shuttle my days have passed, and vanished, leaving no hope behind. Remember that my life is but a breath, and that my eyes will never again see joy.”
Not money but joy is the ultimate wage as the passage implies. And joy is not hard to earn for it is in everyday life if we have eyes to see, a nose to smell, fingers to touch, ears to hear–a heart beating. This to me, is how a writer earns a daily wage. His wages then take the guise of treasures his heart can transfigure into a universe of thought that taps into other hearts, that causes a swirl in the depth of other souls, or that makes wings to sprout on leaden heels.
Sometimes not joy but rueful, poignant moments are my pick. Take what I earned once: On my walk home in my neighborhood, I caught two clumps of snowdrops–such tiny blossoms smaller than fingertips that do not look up but shyly droop close to black patches on the ground winter has frozen. That afternoon in the frosty wind, they trembled as if ready to turn away and run but how could they? For that poignant moment on seeing the wintry rain beat on the fragile snowdrop–as if pushing it to go home now, go to sleep–I earned my jornal, my daily wage.
Once on summer walk, the crackle of dried leaves just hit me both like the laughter of children and sobs long suppressed. Neither one of them would resolve the dryness, but I recalled how each does bring tears: laughter for joy, sobs for healing that comes with the release of a dammed-up pain. My jornal that day came as two haiku.
Fall has since shortened the day and the heart begins to crave for lost space that it doesn’t even recall which or where. I feel that most treasures have turned into mush so much so I wouldn’t be able to sift them off the ground. Yet I caught the dying day yesterday–so glorious in the gold of autumn it opened a flip side of serene heaven. Blades of grass coated in diadems of rain that carpet the lawns render royal walks poor by imitation. A burst of red maple against an inky blue sky humbled me, a soul bragging about her skill to recreate beauty in words.
I suppose I’m taking Job’s reflections to heart. I’d rather not gloss over each day and look beyond what’s there, right before me, or else fragile as is my breath one day “my eyes may never again see joy” to write. With what then will I compare the eternal joy, the ultimate wage I await?
Yet for now, as other eyes hanker to make the invisible visible, I put a tag on some moments of joy. Like on seeing the snowdrops, I paid myself $200 as my jornal.
What could have been yours?
Recent Comments
alee9 on … madhuri on … alee9 on My latest at Bones journa… alee9 on My haiku awards alee9 on a beggar’s prayer
jornales 