The Bootmaker (for One Shoot Sunday)
photo prompt by Rob Hanson
He wraps his broadness
around the air he gathers in quiet
hands poking a wasp caught in a web.
Overhead a patch of sunlight–
he fails to see the breeze
brushing its plum seeds:
his eyes clouded over
for the flights of mourning doves
breathless as once they alit
on her gray hair whiter
than Venus rising before she flew off
leaving him a smile in a cast.
Mornings encase him in this chair
that moulds his spine arched in years
renews his fingers to love the iron last–
he fits today the dancing tips of a shoe
the red-haired woman tears each night
and comes storming in
her breath of fermented cherries
swarms on the leather swatches the jute strings
the hammer and anvil softening them as if
oiling the edges of buried embers
he bends as if cowering in fear as if
a female fox sears him with flaming eyes.
Her eyes waved on tips of ocean weeds
the first time she smiled pulling him
in an undertow of coral reefs
unresisting he yielded to her depths
softer than mollusk flesh
more supple than oyster cheeks.
She braids her red hair this morning
pulls tight her cheeks baring her teeth–
he knows from where she draws water
the well in the woods some elves abandoned
in the spring for an ocean
breeds red dragonflies that turn into wands.
In the pool under the elms
he waits at dusk long after the sun
has turned away long before the moon creeps up
as if shy for its stained cheek and curved chin.
In the wan light she rises over the reeds
afloat, a smile framed by her white hair.
Her red hair catches sparks
from skids of the hammer he blinks
she nudges him—words turn into grunts
from joints of his chair the weight
bearing down on his contracting heart—
“Come tonight I’ll dance for you.”
Her white hair catches foam
from far off billows, she swirls around him—
a braid of tenderness suffuses his darkness:
“Leave the welts on your table to melt in the night,
the lasts will walk away, your chair
will fold onto itself,” she intones lulling him.
She loosens her red hair
baring her neck down to the screaming lights
tearing her apart, her shoes bursting
at the tips, the soles flying
lost in the woods where the elves
now ghosts in the well catch and keep.
She knocks on her bare feet–
the mourning doves unfurl their despair.
She pushes the door open. The half light exhales
stale air from his chair. Up close his head bent
as if intent on her shoes–a spider web
wraps his beard, tighten his lips unsmiling.
(c) Alegria Imperial
Composed from a photo prompt by Rob Hanson and posted for One Shoot Sunday at One Stop Poetry, THE gathering place for poets and artists who share their passion for their art while nurturing each other. Come join us!
Doves (a haibun for One Shot Wednesday)
The dove pair stopped cooing today.
Last time I glimpsed them, each moved listless in the cage – tails fanning each other’s snow head, red eyes spying mine. No one could come near. Each guarded the other like furious sentries. Could they have known they made such a handsome pair?
The white pair would not leave the dovecote. I caught them glance the brown too common flock; and then they turned away, lidless red eyes back to each other.
all I can see
what I cannot see
in your eyes
The white doves were at a wedding today cooped up, as perhaps they would have wished in a bell. When the newlyweds tugged at a string, the doves fell together – confused by the crowd, helpless in the grasp of the bride and groom. When tossed up again, their wings seemed weak. For the first time, they flew away from each other each clutching at light cords hung from the ceiling of the room where a wedding party was rising to a pitch. Their webbed feet quivered uncertain of their hold, their eyes redder, blinking with fear; they trembled as if they had lost their wings.
Now the crowd worked at a game with the white pair as pawns. Whoever caught one of the pair would think it a prize. What a prize–the glee bubbled off their laughter. The crowd did not know; how could they?
riddle:
when do heartbeats rhyme
in what beat end?
In freedom, a gaping cave awaits to trap lovers or a mess of strings. For the doves, loss of the other is sorrow that stones a tiny heart.
Copyright (c) by Alegria Imperial 2011
Posted for One Shot Wednesday at One Stop Poetry, the inimitable gathering place for poets and artists. Check us out.
evening wall (for One Shoot Sunday)
photo prompt by James Rainsford
the evening wall
leaks morning in silence
a tremor
in the breeze alters the vines
leaves dance disgraced
for river stones
but my cave resists
the shame
i dig into my bones
for secrets
complicities the dark sharpens
the stench of fear
light alludes to ageing roses
in truth
rotting roots falsehoods
smoother
in the night
i listen to winds lash
at recalcitrant stars
then limping in the heights fall
a thin flight through the bars
a moth
hissing on its wings
my cage
burdens reckoning
crude mornings lie to me
disguised as Venus rising
i cannot tell
in my fallow depths
who awaits for me to relent
cawing
(c) Copyright by Alegria Imperial 2011
Posted for One Shoot Sunday with picture prompt by James Rainsford for One Stop Poetry, winner of the 2011 Shorty Award for the Arts, the one place to gather for poets and artists to share their love for their art. Check us out. Click on my blogroll for OSP.
i dare you (for One Shoot Sunday)
1.
i ground my being
in search of truth
and found
a scoop of silt
superficialities
i basked in surfaces
the sun swarmed
beguiling
choked my truths
in flashes
glories in seconds
fallen as ash
my pretenses
morphing into
this mush slipping
between my lips
entrapped
in your weakness
i dare you
unclad who i am
2.
who am this
being a pallid skein
of desire tangled
in despair
words dangle
on tips of bones
their flesh i picked off
in my darkness
suns melt
on my breath
gods cower in fear
over my stink
stones corrode
from my tears falling
as flint on my trail
dead embers
rain pools
sizzle on my passing
burn secrets
my footprints bred
3.
taunt me
if you have grit
the songs i spew
rattle angels
wangle crests
of waves my stare
long petrified on seas
turned cesspools
dare to cleanse
the air i poison
my soul departed
litter ivy beds
comb my hair
your fingers hanker
for my silken scales
to root in spirit
grind your being
with mine scrape off
your bareness toss out
your soul i dare you
Photo prompt by Fee Easton
Posted for One Shoot Sunday from a photo prompt by Fee Easton at One Stop Poetry where poets and artists share their art and their passion for it, a nurturing gathering place. Check us out.
About
autumn wind
wondering about lilies
in a mountain pond
Tell me a writer who really gets a satisfying jornal, in Spanish a daily wage or its equivalent, and I’ll bare a spirit in constant bouts of doubtfulness. Does a writer earn more because of what he writes and how he does it? Or is a writer paid more or less because of who he is? Is it money or honor he expects to receive?
Ahhh … but money as wage, and praise or honor as reward would be too predictable, too common as Job lamented in the Book of Job. It is in these lines that read: “Is not man’s life on earth nothing more than pressed service, his times no better than hired drudgery? Like the slave, sighing for the shade, or the workman with no thought but his wages, months of delusion I have assigned to me, nothing for my own but nights of grief. Lying in bed I wonder, ‘When will it be day?’ Risen I think, ‘How slowly evening comes!’
Restlessly I fret till twilight falls. Swifter than a weaver’s shuttle my days have passed, and vanished, leaving no hope behind. Remember that my life is but a breath, and that my eyes will never again see joy.”
Not money but joy is the ultimate wage as the passage implies. And joy is not hard to earn for it is in everyday life if we have eyes to see, a nose to smell, fingers to touch, ears to hear–a heart beating. This to me, is how a writer earns a daily wage. His wages then take the guise of treasures his heart can transfigure into a universe of thought that taps into other hearts, that causes a swirl in the depth of other souls, or that makes wings to sprout on leaden heels.
Sometimes not joy but rueful, poignant moments are my pick. Take what I earned once: On my walk home in my neighborhood, I caught two clumps of snowdrops–such tiny blossoms smaller than fingertips that do not look up but shyly droop close to black patches on the ground winter has frozen. That afternoon in the frosty wind, they trembled as if ready to turn away and run but how could they? For that poignant moment on seeing the wintry rain beat on the fragile snowdrop–as if pushing it to go home now, go to sleep–I earned my jornal, my daily wage.
Once on summer walk, the crackle of dried leaves just hit me both like the laughter of children and sobs long suppressed. Neither one of them would resolve the dryness, but I recalled how each does bring tears: laughter for joy, sobs for healing that comes with the release of a dammed-up pain. My jornal that day came as two haiku.
Fall has since shortened the day and the heart begins to crave for lost space that it doesn’t even recall which or where. I feel that most treasures have turned into mush so much so I wouldn’t be able to sift them off the ground. Yet I caught the dying day yesterday–so glorious in the gold of autumn it opened a flip side of serene heaven. Blades of grass coated in diadems of rain that carpet the lawns render royal walks poor by imitation. A burst of red maple against an inky blue sky humbled me, a soul bragging about her skill to recreate beauty in words.
I suppose I’m taking Job’s reflections to heart. I’d rather not gloss over each day and look beyond what’s there, right before me, or else fragile as is my breath one day “my eyes may never again see joy” to write. With what then will I compare the eternal joy, the ultimate wage I await?
Yet for now, as other eyes hanker to make the invisible visible, I put a tag on some moments of joy. Like on seeing the snowdrops, I paid myself $200 as my jornal.
What could have been yours?
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