here there where (at qarrtsiluni’s ‘fragments’ issue)
day in the park
a cat eats weed flowers. my dog sits on the bird bath. a mom spreads a picnic blanket for baby’s feeding bottles. three crows swoop in on my bag of popcorn. a weed flower sticks to my dress.
the baby drools. on her blue bib. the sky turns golden.
i gather my crumbs under the blooming junipers. i pull up a heather. a squirrel flies over my head on a twig.
chippers chatter.
my heather turns blue. the baby picks a dandelion. the sun slides down. over skies a swarm of snowbirds fly home. i have no wings.
silence
silence is not the absence of sound. a sheer wall in the mind perhaps. a blockade for the heart. one cannot hear a heartbeat. the whooshing of blood in and out of ventricles. blubbering air in the lungs. a grumbling emptiness in guts. random complaints from muscles trapped in passions.
silence as gaping space traps what fills air waves. winds that fissures slurp. secrets blossoms share. coughing of uncouth machines. grating wheels those dumpsters edging out magpies. the cawing of crows to be understood. marble chirps colliding with fresh acorns among the pines. sonatas on toes around the rim of dreams.
births are seeded in silence. in secret. the first cry is a child of silence. wakefulness its gender.
new calendar
first day of the year. just another grey day. a pall on the new calendar. as if what makes a difference really doesn’t.
the ticking clock. a distant squawking of a crow or better yet, complaint. deep sigh of engines passing by. the trudge goes on.
i look on the cypress with a creeping sense of sorrow. the deep cold dark in its twigs. holiday gifts piled beside it now debris.
a black garbage bag rests folded in the bin.
i gather the cards. wishes slide off my fingers. a bag of pebbles waits to be planted in the vase. like wishes that might take root, i would have to water them each day.
blue notes waver in the light. as if there’s something i should know.
death still
death still on the shore. no breath lapping sand. the bay water clear as eyes. a selvage edge of secrets. a quiet suspiration under a translucent film of air. a shimmer that wavers underneath over shell shards.
emptied mollusks. spawning stones. furry algae. fibrous weeds.
dead still but not sealed. only walled in. like your eyes, when you stare within. an absent look. a vacant thought. like i’m not there.
http://qarrtsiluni.com/2012/08/21/here-there-where/
A special piece for me. All four reveal how I really write. Most of it have somehow strayed to a few of my haiku or tanka or even haibun. But this is me. I thank qarrtsiluni for this 2nd acceptance and publication.
I’m sorry for the vacant days. I’ve just been so busy with projects and the writing of a Sunday column for a broadsheet, Business Mirror Philippines. I’ll strive to catch up soon. Thanks for your continued support!
night hatching dawn (Merry Christmas)
sitting it out
with night hatching dawn
Merry Christmas
***
of the hundreds
in the forest, crow trims
a pine tip
***
twelfth day
my true love bakes for Christmas
a partridge in pear
Love, joy and peace to all of you dear jornales and wordpress friends. We’re on to almost a whole year of sharing such message of the season with poetry. Blessed is how I consider myself having touched you all. This season as I’ve repeatedly said so, I’d like to thank you again. May the New Year find us even more deeply engaged in poetry, hence, in love, joy, and peace.
(Haiku are also posted at NaHaiWriMo under the prompt ‘Christmas’. Image from my camera, one of my many shots–in the dark, literally–of the million lights spangled at Van Dusen Gardens in Vancouver every Christmas.)
melancholia (sequence) begins with my first ever haiku
in the haze,
crow circling bare trees
finally alights
while sun
tints bay, i dive skimming
crimson-bottomed boats
duck pairs braid
shadows on my back—
i slurp refuse
gulls overhead fight
over what’s left,
screaming mute—
the same scraps
i tossed in my daze
a moment earlier
before i plunged–
melancholia
First published in LYNX XXIII:3 October 2008
in the haze, I found among my notes is the first ever haiku I wrote. The ‘haiku moment’? A drive to Aberdeen from the Federal Hill in Baltimore. Autumn had greyed on desolate trees. Crows in such skies even then had seemed to me both sinister and comforting–the first because of their eyes, the second, their astuteness.
Soon after more of my haiku ‘doodling’ (to borrow mi hermana’s blog title), I strung them into this sequence with ‘haze and the crow’ as the theme and sent it to Werner Reichold. The day LYNX came out with it and two more sequences, three tanka and a haibun, I found a biographical sketch on Hart Crane’s death; it was as if I knew it when I put together this sequence.
Nine for NaHaiWriMo (copying, rewriting some old haiku of mine)
National Haiku Writing Month (NaHaiWriMo)–that’s what’s going on. I don’t know if we have to sign up and join a ‘marathon’ but I’ve taken it up anyway. What I have here for the past nine days though isn’t honest, I mean, not fresh–freshened up is more like it. I scrounged around for them from rejects of submissions and buffed them up. And so, the kigo is mixed–there’s autumn, winter, spring and summer here. Still, I know some of them or most of them aren’t ‘good haiku’ but like most of what I write, they transform into something else after a while. I don’t really write a haiku a day; when I do, it’s often up to ten or more. So, here are my take for NaHaiWriMO counted from day one. I hope to make the kigo right for the month of February in the next two weeks.
1.
empty nest
scrapes an ivy wall–
broken silence
2.
crow cawing
over shuttered houses
pierces my thoughts
3.
delayed arrival—
a hat bobs over the hedge
the wrong way
4.
lit up skies–
so many darkened doors
shushed walls
5.
twilight–
she kneels
to smell a rose
6.
winter thought–
on a window
a trickle
7.
stalactites–
her stubborn reply
scribbled
8.
raindrops
on an evening window–
what’s unsaid
9.
crescent moon–
his silence
his droopy eyes
the crow
the crow
this winter morning caws
a rhythmic trill
crow and I (edited)
crow and I
scanning yards for signs of life
eye at each other
oops! I missed a verb in my rush to post this yesterday.
About
autumn wind
wondering about lilies
in a mountain pond
Tell me a writer who really gets a satisfying jornal, in Spanish a daily wage or its equivalent, and I’ll bare a spirit in constant bouts of doubtfulness. Does a writer earn more because of what he writes and how he does it? Or is a writer paid more or less because of who he is? Is it money or honor he expects to receive?
Ahhh … but money as wage, and praise or honor as reward would be too predictable, too common as Job lamented in the Book of Job. It is in these lines that read: “Is not man’s life on earth nothing more than pressed service, his times no better than hired drudgery? Like the slave, sighing for the shade, or the workman with no thought but his wages, months of delusion I have assigned to me, nothing for my own but nights of grief. Lying in bed I wonder, ‘When will it be day?’ Risen I think, ‘How slowly evening comes!’
Restlessly I fret till twilight falls. Swifter than a weaver’s shuttle my days have passed, and vanished, leaving no hope behind. Remember that my life is but a breath, and that my eyes will never again see joy.”
Not money but joy is the ultimate wage as the passage implies. And joy is not hard to earn for it is in everyday life if we have eyes to see, a nose to smell, fingers to touch, ears to hear–a heart beating. This to me, is how a writer earns a daily wage. His wages then take the guise of treasures his heart can transfigure into a universe of thought that taps into other hearts, that causes a swirl in the depth of other souls, or that makes wings to sprout on leaden heels.
Sometimes not joy but rueful, poignant moments are my pick. Take what I earned once: On my walk home in my neighborhood, I caught two clumps of snowdrops–such tiny blossoms smaller than fingertips that do not look up but shyly droop close to black patches on the ground winter has frozen. That afternoon in the frosty wind, they trembled as if ready to turn away and run but how could they? For that poignant moment on seeing the wintry rain beat on the fragile snowdrop–as if pushing it to go home now, go to sleep–I earned my jornal, my daily wage.
Once on summer walk, the crackle of dried leaves just hit me both like the laughter of children and sobs long suppressed. Neither one of them would resolve the dryness, but I recalled how each does bring tears: laughter for joy, sobs for healing that comes with the release of a dammed-up pain. My jornal that day came as two haiku.
Fall has since shortened the day and the heart begins to crave for lost space that it doesn’t even recall which or where. I feel that most treasures have turned into mush so much so I wouldn’t be able to sift them off the ground. Yet I caught the dying day yesterday–so glorious in the gold of autumn it opened a flip side of serene heaven. Blades of grass coated in diadems of rain that carpet the lawns render royal walks poor by imitation. A burst of red maple against an inky blue sky humbled me, a soul bragging about her skill to recreate beauty in words.
I suppose I’m taking Job’s reflections to heart. I’d rather not gloss over each day and look beyond what’s there, right before me, or else fragile as is my breath one day “my eyes may never again see joy” to write. With what then will I compare the eternal joy, the ultimate wage I await?
Yet for now, as other eyes hanker to make the invisible visible, I put a tag on some moments of joy. Like on seeing the snowdrops, I paid myself $200 as my jornal.
What could have been yours?
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