some of my spring haiku with French translation by Serge Tome@tempslibres.org
gray spring dawn-
the shiver of daffodils
in my bones
aube grise de printemps –
le frisson des jonquilles
dans mes os
this cold-
Sakura cherry blossoms
on my window
ce froid –
fleurs de cerisiers Sakura
à ma fenêtre
this sunless spring day
chickadees chatter on-
my indecisions
ce jour de printemps sans soleil
les mésanges discutent –
mes indécisions
watching rain
drum beat on window pane–
the deaf cat
il regarde la pluie
tambouriner sur la vitre —
le chat sourd
spring fever–
shoots among the lilies
she can’t name
fièvre de printemps —
des pousses parmi les lys
qu’elle ne peux nommer
tempslibres.org
‘twilight rain’, my second haiku award from the 2012 Haiku Now Contest
twilight rain
the blue heron mid-lake
somehow smaller
Alegria Imperial (Canada)
Commended, Traditional haiku
The Haiku Foundation’s 2012 Haiku Now Contest
…my first, ‘cherry blossoms’, from the 2007 Vancouver Cherry Blossoms Festival Haiku Invitational. Both awards with single entries. I credit this award, a real surprise–honestly unexpected not even hopeful, knowing who would participate in it–to the daily exercise I’ve hung on to at the NaHaiWriMo facebook site. The practice of writing haiku-a-day with prompts has greatly improved my understanding of haiku, hence, how I write it.
this change of name (to celebrate Vancouver’s 125th year and my soon-to-have Canadian citizenship for One Shot Wednesday)
it is
a matter of spelling
only
this change of name
or am i fooling
the skies i look up to
the clouds
none i can name
the mountains
that shimmer
stealing in in stead
the names
of mountain ranges
facing East
among its jungles
my spirit roosts
alien snow
now smoothers
my laughter
i drift aground
is earth
unlike the sun
untouched
by sorrow?
i hear
from mourning doves
the language
of dawns
i mismatch
evening clouds
in my dreams
the chill stays
yet the sparrow
shares its songs
that seep into my sleep
lull my world
i regain my name
on Hollyburn
where a lotus by itself
on the lake
such poignancy
mirorring my loneliness
soaks the sun
as if enough
i trail the buds
lined along the Fraser’s North Arm
winding down and up
the river bed
the tide cuts a line
between my dreams and the sky
ripples catch my breathing
in rhythmic sighs
i’m scaling the breast
of Burnaby Mounains
my soul resists
its longings
i’m close to home
close to sinking
in the foam
skirting Horseshoe Bay
an eagle skims
my rhyming
my longings weave
in and out of the air
on a skein
of cherry blossoms
once only paintings on scrolls
i learn to haiku
thinking of moths
in my childhood those slivers of light
that die on the light
and fade in the morning
on my waking
i am who has always been
the city aground on my steps
whose name i can now say
even in sleep–
Vancouver
copyright (c) by Alegria Imperial 2011
Written for Vancouver’s 125th anniversary (supposedly for a poetry collection but whose deadline I missed, and also in celebration of my soon-to-be Canaadian citizenship–I’m taking my oath in a few days, after four years of my arrival as immigrant). Posted for One Shot Wednesday at One Stop Poetry, the inimitable gathering place for poets and artists. Come share your art and check out a great number of terrific lines from other poets.
butterfly/and hummingbird–/after the same flower (and my other flower haiku at Sketchbook)
monarch butterfly courtesy of wikicommons
butterfly
and hummingbird—
after the same flower
snowdrop–
will I ever see
your face?
magnolias–
the longing begins
at moonrise
cherry blossoms
shedding in the moonlight—
the Milky Way
tulips—
recalling
my first kiss
salmon berry blossom:
how deep is your heart
for a hummingbird?
Published in haiku thread,Sketchbook April-May 2011 (kigo: flower)
it has to end (haiku)
it has to end:
the wind
to cherry blossoms
me to Shiki:/how far can i go/with haiku? (and his possible answers)
heron at lake courtesy of wikicommons
me to Shiki:
how far can i go
with haiku?
(his possible answers)
heron equals being still
***
stillness–
we break the rules
***
not a stir in the pond–
turtle
***
cherry blossoms–
what’s wrong with fruits?
***
plum tree
only when it blooms
***
the jade Buddha laughs
long after sunset
***
wind to bamboo:
how far
can whispers go?
look down/not up…(a tanka-ish reflection on cherry blossoms)
look down not up
the cherry blossoms
but petal shreds on grass
no memory of our mornings
the tea cup cools that soon
…disjointed from the brevity of the cherry blossoms. The clouds of pink now but litter on pavements. On twigs, brownish shoots have edged out the blosoms. I haven’t recharged my camera to catch the glory of it. What has come in between that seemed so compelling turns out nothing but worn out routes I can’t stop trudging into mindlessly. Ahhh, this life we live to miss what we should not too soon.
left out in the rain #22b NaHaiWriMo (haibun?)
left out in the rain
her old haiku
on cherry blossoms
I know the emotion of this haiku is sad but honestly, the transition days from winter to spring bring this on in me. Days rise white as freshly ironed sheets, the smell of dawn, with tiny marble-tweets from spring birds invisible in the conifer hedges. And then, as if a green-eyed nymph has waved her wand, clouds would shroud the sun and only the snowdrops tell it’s still day. I walk on Osler St. trodding on damp fragile weeds, barely breathing it seems toward spring, unmindful of the crisp stubble around roots of gnarled oaks. Overhead, twigs of nude cherry trees retain a pose too painful to glance at. Once, it seems so long ago, these caricatured branches had burst into layers of textured pink, inscribing ‘glory in the moment’, that I have written as haiku, which haunt me like old spirits now. And the soft rain, as if taking on my thoughts, turns into an outpouring of tears.
late winter walk–
soft rain on bare cherry trees
harder on my thoughts
Oooops, edit from an hour ago, should be–My haiku #22a is posted in the NaHaiWriMo facebook site. Check it out and join in!
first kiss (playing with images on haiku-like lines for One Shoot Sunday )
over head–
a robin trills, i race
the uptown train
to meet you
on elm street
my feet on clouds–
wind swept petals
i skid on my soles
under a lavender bush
such fragrance–
so like yours
still running
now through rain drops
i slip but land on begonia quilt–
i pick three dandelions
i race on
a pair of crows–
from juniper tops cawing a duet
swoops in on a picnic spread
i turn away
afternoon rain
coming harder i skid under a shade
of cherry blossoms
my heart thrums faster
singling on a wall
under weeping crab apple blooms–
the rain their tears and mine
am i crying?
my watch
eats up minutes–
you will be gone
i am sobbing
the rain stops–
sunlight ripples through the sky
falls on a lilac hedge i race on
to meet you
against a wall
the sun bursts on your smile
you sprint to meet me
under a rain-washed sky
eyes dripping
sweetened rain, petals on our lips
wet, soft, warm
we kiss our first
on the heart-shaped sky
we sign our names,
say our vows
on three dandelions
Phot by Katherine Forbes
Posted for One Shoot Sunday from a photo by Katherine Forbes. Join other poets at One Stop Poetry blog who write verses for love, read those of others, leave a word of encouragement and/or insight with the same love and respect. Post your piece on your blog and sign up in the Mr. Linky list
About
autumn wind
wondering about lilies
in a mountain pond
Tell me a writer who really gets a satisfying jornal, in Spanish a daily wage or its equivalent, and I’ll bare a spirit in constant bouts of doubtfulness. Does a writer earn more because of what he writes and how he does it? Or is a writer paid more or less because of who he is? Is it money or honor he expects to receive?
Ahhh … but money as wage, and praise or honor as reward would be too predictable, too common as Job lamented in the Book of Job. It is in these lines that read: “Is not man’s life on earth nothing more than pressed service, his times no better than hired drudgery? Like the slave, sighing for the shade, or the workman with no thought but his wages, months of delusion I have assigned to me, nothing for my own but nights of grief. Lying in bed I wonder, ‘When will it be day?’ Risen I think, ‘How slowly evening comes!’
Restlessly I fret till twilight falls. Swifter than a weaver’s shuttle my days have passed, and vanished, leaving no hope behind. Remember that my life is but a breath, and that my eyes will never again see joy.”
Not money but joy is the ultimate wage as the passage implies. And joy is not hard to earn for it is in everyday life if we have eyes to see, a nose to smell, fingers to touch, ears to hear–a heart beating. This to me, is how a writer earns a daily wage. His wages then take the guise of treasures his heart can transfigure into a universe of thought that taps into other hearts, that causes a swirl in the depth of other souls, or that makes wings to sprout on leaden heels.
Sometimes not joy but rueful, poignant moments are my pick. Take what I earned once: On my walk home in my neighborhood, I caught two clumps of snowdrops–such tiny blossoms smaller than fingertips that do not look up but shyly droop close to black patches on the ground winter has frozen. That afternoon in the frosty wind, they trembled as if ready to turn away and run but how could they? For that poignant moment on seeing the wintry rain beat on the fragile snowdrop–as if pushing it to go home now, go to sleep–I earned my jornal, my daily wage.
Once on summer walk, the crackle of dried leaves just hit me both like the laughter of children and sobs long suppressed. Neither one of them would resolve the dryness, but I recalled how each does bring tears: laughter for joy, sobs for healing that comes with the release of a dammed-up pain. My jornal that day came as two haiku.
Fall has since shortened the day and the heart begins to crave for lost space that it doesn’t even recall which or where. I feel that most treasures have turned into mush so much so I wouldn’t be able to sift them off the ground. Yet I caught the dying day yesterday–so glorious in the gold of autumn it opened a flip side of serene heaven. Blades of grass coated in diadems of rain that carpet the lawns render royal walks poor by imitation. A burst of red maple against an inky blue sky humbled me, a soul bragging about her skill to recreate beauty in words.
I suppose I’m taking Job’s reflections to heart. I’d rather not gloss over each day and look beyond what’s there, right before me, or else fragile as is my breath one day “my eyes may never again see joy” to write. With what then will I compare the eternal joy, the ultimate wage I await?
Yet for now, as other eyes hanker to make the invisible visible, I put a tag on some moments of joy. Like on seeing the snowdrops, I paid myself $200 as my jornal.
What could have been yours?
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jornales 
How can’t I not pay myself a ‘jornal’ of $1000 for the beauty of cherry blossoms? I’m sure you agree.
I used to live half of the year in Baltimore. A trip to Washington, yes, at the Jefferson Memorial and the Mall was like a ritual for me and the friend I stayed with.
But the very first cherry blossoms I’ve seen and I thought it a miracle was at Washington Square by New York University in Manhattan; we then lived a block away on Cooper Square. And later an even more breath-snagging burst of blossoms on a day the sun descended at its tenderest happened at the Brooklyn Botanical Gardens.
Of all the spring blossoms, indeed, that of the cherry tree draws the most awe. How can’t a cloud of pink not make one think of a state or place other than this brown earth. Even just being under the shade…
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March 15, 2012 Posted by alee9 | comment, haiku, poetry | alegria imperial, Baltimore, Brooklyn Botanical Gardens, cherry blossoms, Daily wage, DC, Manhattan, moths, New York, Riverside, Washington, Washington Square | Leave a comment