Night Scents: the truth about roses (for One Shot Wednesday)
Evening has fallen, tarnishing all translucence. Daffodils, for one, sprayed like comet behind a picket fence, are now turned-down copper bells. Magnolias, that crowd of plump cheeks on Warren Avenue, now doze on bruised faces.
Only dogwoods on front lawns seem to take evening fall with grace. Their crown, a dull mantle in daylight, has turned into iridescent lace while on the ground ivy has thickened, breathing like a ghost.
Not colors but scents have taken over life in the dying day. But nothing like vapors that seem solid like steam or fog or mist, just weightless molecules spinning in the air.
‘Fragrant’ seems paltry if it were to mean the scent of violets blindly met along a cypress hedge on Montgomery St.—a bouquet part spicy part sweet like a potion for a faint spirit. ‘Perfumed’ weighs gaudily on jasmine for its scent from a terrace on Battery St. descends as faint as a memory—fleeting like all moments that come back to haunt.
.
The nose, is it? Or perhaps the heart leads the nose to track down the scent of roses. Some flourish in unlikely spots; they trap the heart in a patch back of a kitchen on Riverside, for instance. Here, rose bushes wear open faces. No secret chambers there.
Even in the evening, rose blooms thrust up as if to sing—but not to sing, perhaps more to sigh. Listen then and breathe for in opening their lips, their scent also escapes. Note that only in the evening this truth about roses is revealed: their scent hints at sour drops and salt sprays, tears and regrets and the million contradictions lodged in the heart.
Copyright (c) by Alegria Imperial 2009
Published in Eleventh Flash in the Pan at Tiny Lights magazine
Posted for One Shot Wednesday 53rd week at One Stop Poetry, that inimitable gathering place for poets and artists. Check out what we share and do hop in!
The Bootmaker (for One Shoot Sunday)
photo prompt by Rob Hanson
He wraps his broadness
around the air he gathers in quiet
hands poking a wasp caught in a web.
Overhead a patch of sunlight–
he fails to see the breeze
brushing its plum seeds:
his eyes clouded over
for the flights of mourning doves
breathless as once they alit
on her gray hair whiter
than Venus rising before she flew off
leaving him a smile in a cast.
Mornings encase him in this chair
that moulds his spine arched in years
renews his fingers to love the iron last–
he fits today the dancing tips of a shoe
the red-haired woman tears each night
and comes storming in
her breath of fermented cherries
swarms on the leather swatches the jute strings
the hammer and anvil softening them as if
oiling the edges of buried embers
he bends as if cowering in fear as if
a female fox sears him with flaming eyes.
Her eyes waved on tips of ocean weeds
the first time she smiled pulling him
in an undertow of coral reefs
unresisting he yielded to her depths
softer than mollusk flesh
more supple than oyster cheeks.
She braids her red hair this morning
pulls tight her cheeks baring her teeth–
he knows from where she draws water
the well in the woods some elves abandoned
in the spring for an ocean
breeds red dragonflies that turn into wands.
In the pool under the elms
he waits at dusk long after the sun
has turned away long before the moon creeps up
as if shy for its stained cheek and curved chin.
In the wan light she rises over the reeds
afloat, a smile framed by her white hair.
Her red hair catches sparks
from skids of the hammer he blinks
she nudges him—words turn into grunts
from joints of his chair the weight
bearing down on his contracting heart—
“Come tonight I’ll dance for you.”
Her white hair catches foam
from far off billows, she swirls around him—
a braid of tenderness suffuses his darkness:
“Leave the welts on your table to melt in the night,
the lasts will walk away, your chair
will fold onto itself,” she intones lulling him.
She loosens her red hair
baring her neck down to the screaming lights
tearing her apart, her shoes bursting
at the tips, the soles flying
lost in the woods where the elves
now ghosts in the well catch and keep.
She knocks on her bare feet–
the mourning doves unfurl their despair.
She pushes the door open. The half light exhales
stale air from his chair. Up close his head bent
as if intent on her shoes–a spider web
wraps his beard, tighten his lips unsmiling.
(c) Alegria Imperial
Composed from a photo prompt by Rob Hanson and posted for One Shoot Sunday at One Stop Poetry, THE gathering place for poets and artists who share their passion for their art while nurturing each other. Come join us!
simple truths (for One Shot Wednesday)
simple truths rest
on stamens those succulent fibers
engorged by tears
the taste of sea spray
the sense of touch
defines homo sapiens on cheeks
the sweetness anthers hold the pollens
grow filaments on nose tips
smell to beasts like men feeds power
sniffing a cluster of lilacs
the mind sees indigo
the dye of death reeks of weakness
only a distanced eye
sharpens the heels of Lady’s Slippers
only fingertips fit the godhead’s
vacant smile
blistered palms could crack the lightning
break a thunder into a storm
but tongues roll clouds into balls
pelt the lips of magnolias
distend the petals
hold
let shatter into a mesh
of distracted grace
our reasoning
corroded
Posted for One Shot Wednesday at One Stop Poetry, winner of the 2011 Shorty Award for the Arts, a gathering of poets and artists sharing their art, nurturing each other. Check us out.
i have no name (for One shoot Sunday)
Heather Nelson, photo by India Hobson
the owl
sees through me he digs
my heart
the truth about names
i am muneca
a filament of being
you drew
from rambling waterfalls
on my cheeks
you shaped a winter sky
my eyes and the temple tower
vie for light
you punctured
my lips so deep i gurgle
my defiance
of your desire
restless
your fingers knead
my neck to smoothen
veins you embedded
i leap in spasms
my death as brief
as your breath in my
clogged vena cava
you think
i am perfect in your hands
i grow molds
in the day
my skin liquifies
as you dream i am life
the owl reveals
i have no name
muneca a doll
of your melting eyes
has no heart
Posted from a photo image by India Hobson for One Shoot Sunday at One Shot Poetry, winner of the 2011 Shorty Award for Art given last week in New York. Come join us at this gathering place and meet talented poets and artists who share their love for their art.
the calm/rereading cards/round and round (3 tanka on the calm from the earthquake elsewhere)
Mie and me on her last visit to Vancouver
1.
the calm–
from Kyoto Mie writes
far from earthquake
the wedding garden today
light snow on cherry buds
2.
rereading cards–
from Michio in Saitama
her New year’s wishes
of Rabbit hopes and dreams
today mine for her in pray’r
3.
round and round
moon and earth mirror each other
chaos of winds
ruined faces blemished cheeks
to be cleansed over and over
mist/deepwinter/thunder in the copse–v-day haiku but no ‘heart’ as kigo (for One Stop Poetry, also my 13th,14th,15th NaHaiWriMo)
13.
mist—
too wet on cheeks
to be a kiss
14.
deep winter—
bundled up we search
for each other’s eyes
15.
thunder in the copse
a vow
unintended
‘Heart’ as kigo is missing here but it’s hinted at. Does Valentine belong to Japanese haiku tradition? I believe it’s not though I don’t really know much about modern Japanese haiku. Perhaps, it has included it as a kigo. Here’s what I think comes closest to it–the courtly tanka in its purest form like this tanka from Thomas Gurgal’s Japanese Tanka, The Court Poetry of a Golden Age, first posted here under grey relentless rain (is it tanka? 02/07 2011) ‘I am comforted’ page 41:
I am comforted;
Now wordly impermanence
Seems unimportant;
Seen in the depths of your eyes,
The warm eternal darkness.
Posted also for One Stop Poetry’s Saturday Celebration of Valentine’s Day. Check us out!
About
autumn wind
wondering about lilies
in a mountain pond
Tell me a writer who really gets a satisfying jornal, in Spanish a daily wage or its equivalent, and I’ll bare a spirit in constant bouts of doubtfulness. Does a writer earn more because of what he writes and how he does it? Or is a writer paid more or less because of who he is? Is it money or honor he expects to receive?
Ahhh … but money as wage, and praise or honor as reward would be too predictable, too common as Job lamented in the Book of Job. It is in these lines that read: “Is not man’s life on earth nothing more than pressed service, his times no better than hired drudgery? Like the slave, sighing for the shade, or the workman with no thought but his wages, months of delusion I have assigned to me, nothing for my own but nights of grief. Lying in bed I wonder, ‘When will it be day?’ Risen I think, ‘How slowly evening comes!’
Restlessly I fret till twilight falls. Swifter than a weaver’s shuttle my days have passed, and vanished, leaving no hope behind. Remember that my life is but a breath, and that my eyes will never again see joy.”
Not money but joy is the ultimate wage as the passage implies. And joy is not hard to earn for it is in everyday life if we have eyes to see, a nose to smell, fingers to touch, ears to hear–a heart beating. This to me, is how a writer earns a daily wage. His wages then take the guise of treasures his heart can transfigure into a universe of thought that taps into other hearts, that causes a swirl in the depth of other souls, or that makes wings to sprout on leaden heels.
Sometimes not joy but rueful, poignant moments are my pick. Take what I earned once: On my walk home in my neighborhood, I caught two clumps of snowdrops–such tiny blossoms smaller than fingertips that do not look up but shyly droop close to black patches on the ground winter has frozen. That afternoon in the frosty wind, they trembled as if ready to turn away and run but how could they? For that poignant moment on seeing the wintry rain beat on the fragile snowdrop–as if pushing it to go home now, go to sleep–I earned my jornal, my daily wage.
Once on summer walk, the crackle of dried leaves just hit me both like the laughter of children and sobs long suppressed. Neither one of them would resolve the dryness, but I recalled how each does bring tears: laughter for joy, sobs for healing that comes with the release of a dammed-up pain. My jornal that day came as two haiku.
Fall has since shortened the day and the heart begins to crave for lost space that it doesn’t even recall which or where. I feel that most treasures have turned into mush so much so I wouldn’t be able to sift them off the ground. Yet I caught the dying day yesterday–so glorious in the gold of autumn it opened a flip side of serene heaven. Blades of grass coated in diadems of rain that carpet the lawns render royal walks poor by imitation. A burst of red maple against an inky blue sky humbled me, a soul bragging about her skill to recreate beauty in words.
I suppose I’m taking Job’s reflections to heart. I’d rather not gloss over each day and look beyond what’s there, right before me, or else fragile as is my breath one day “my eyes may never again see joy” to write. With what then will I compare the eternal joy, the ultimate wage I await?
Yet for now, as other eyes hanker to make the invisible visible, I put a tag on some moments of joy. Like on seeing the snowdrops, I paid myself $200 as my jornal.
What could have been yours?
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