New works at Under the Basho: early darkness, winter dusk, on the verge, pale sunset, word storm,
early darkness —
the dough yields its breast
to my hands
cattails, January 2015
Under the Basho my personal best 2015
winter dusk—
we scoot over
for shadows
Under the Basho Stand-Alone hokku 2015
on the verge
of rocketing–
scent of silence
pale sunset
the blue heron’s
midlife
word storm
turning shadows
into a burden
Under the Basho modern haiku 2015
My offering for International Haiku Poetry Day 2015 today
mornings
in the language of camellias…
moonrise too soon
my flight
prompted by a unicorn–
blue mountains
peel by peel
the moon in my palm
a heart
serenade
with a sleight of his hand
a lilac sky
unveiled
a cascade of apple blossoms
in the widow’s breast
first smile (haiga8 for Rick Daddario’s challenge at19 Planets Art Blog)
first smile nothing else
I remember that early morning light, which illumines the bedroom. It could have poured in through a window facing east where deep dark leaves of a star apple tree soaked most of it, leaving a young mango sprout pale in its struggle to grow. Or perhaps it was just uncared for. And why do I now blame the more luxuriant star apple? No one could pay much attention to the mango seedling then, since the birth of my sister and only sibling.
It could have been a Saturday morning. My mother could have been home that late and didn’t leave for school across the stream a block away, a post-deduction I’m making from the angle of the light. If it were a weekend, I must have been sleeping late. It couldn’t but be a Saturday or this picture wouldn’t have been taken by an uncle who also taught at the parish school. So why am I making a fuss this late?
Because I wish I could relate a more credible story as to how that first smile was caught. I remember my sister more as fretful. She cried when she felt sleepy or couldn’t sleep. She cried when she woke up and felt hot. When I carried her, I could not hold her facing me for long; I would have to make her face outward with one arm supporting her butt as in a seat, her legs dangling, and my other arm, bracing her close to me so she would not fall forward. She hardly smiled. She seemed to size up people as if already making opinions as they talked though she still couldn’t except to say, ‘Mama’. Which is why this smile for me sparkles as a gem.
I know that hand carved wooden bed. On it, I nuzzled on my mother’s side under a crook of her arm as deep as my memory dips. I watched my sister suckled from my mother’s breast, perhaps like I did, on this bed. I remember bumping my head on the headboard against carvings of huge blooms, hearts of gardenias in a swirl of leaves leaning away as if blown by their redolence. Lying on it felt like easing into silken strands, the hand woven rattan strips, which stretched and retracted with each un-recalled movement in dreams. I know that slightly creased sheet, too, which is actually a native heavy woven cotton blanket I had dived into as a child myself. It must have been really a Saturday morning because I see no pillows, which my grandmother would have gathered to put out under the sun to disinfect and deodorize.
The story I recall of this morning has to do with impulses. An uncle who lived on the other corner of our street, apparently just happened to drop by with his camera. He just suddenly wanted to take a picture of my 5-month old sister. My sister just then was learning to turn on her side. That morning, she happened to do a full turn to lie on her belly. She just happened to smile. Or maybe I was there to clown around when my uncle clicked his Kodak Field camera. But the truth is, I remember nothing else but this first smile.
Fifty four years gape between that morning and me today. I am now an elderly woman hankering for details I missed. But then again because I have none except this moment caught, I can spin webs around it to catch any morning light, and perhaps one like that Saturday morning.
nightmare (for One Shoot Sunday)
the last drop of turpentine
stains the moon on the landscape
she conjured
out of yarn that wobbled
like disembodied Adam’s apple
talking to her of a man
she pulled a meadow
where cows wear earrings
and metal buckled boots
they stomp on blue irises
eat white poppies and sneezing
blow balloons from their noses
she draws a woman in a shed
whittling an arrow for a son, but
where’s the boy
a blond head and arms like sticks
legs broken in angles appears
astride on a cow
the moon comes rising
mid spring among the grumbling oaks
their skin brittle as glass crack
the wind is cruel in the meadow
it sweeps in gales and shifts corners
unexpected
she runs out of turpentine
as the white mice appear in between
the boy and a grinning calf
the spaces she overlooked
now scurrying as swift as the wind
she wallops a blob of blue
as if the sky does not cause
clouds that mutate into white mice
the last of the turpentine drips
to the woman’s lap
where is the man and son ask
the elder berries
the woman leaps to dance
the dance of the moon when crazed
by the giggling stars
not stars but tickling
white mice has the woman stoned
after the dance to shake
her nightmare off
she doesn’t waken even as the man wills
to turn himself into a bearded mouse
the painting clears out
in the dream the woman in the shed
becomes a petulant woman wearing
white breasts and the man-mouse
has multiplied on her
Posted for One Shoot Sunday at One Stop Poetry from a prompt by Rosie Hardy. This inimitable site for poets and artists starts the first Sunday of its second year, winning a Shorty Award for the Arts in its first year. Check out what made it win!
I wish to thank Adam, Chris G, Brian, Pete and Claudia again for having done a wonderful job. NO word is ever enough for what I feel I’ve gained from OSP.
Abrazos (for One Shot Wednesday)
If your lips open
as if in awe, and purse
for a light trill, if a tiny whisper
escapes through your smile, a
soft hiss as you breathe
you have said,
Abrazos.
Say it again
and feel your
breast caving in
as your arms curve
like an open arc, an arc
the size of your aching.
Then when your palms
clasp, feel how your heart
gasps, as it curls
in hers.
first published in http://www.poeticdiversity.org, April 2008
Posted for One Shot Wednesday at One Stop Poetry, a community of poets and artists community whose love for what they do sustains their being together.