meanings on walls (for One Shoot Sunday)
graffiti in the Lansing area, Michigan, photo by Chris Galford
1. squiggles
your words mere
squiggles on walls
if but smiles
on dry leaves–
when clouds take over the sun
the butterfly dies
2. waves
on the wall
waves splatter a froth
the sky sheds–
is it rain?
our hand carvings on sea air
but the mindless moon
3. sky
we sip dreams
no one knows of what–
were it earth
it would roll
drums beating down on our sky
to give up the stars
4. ripple
heat seeps off
tips of lanceolate
promises
disguised flames–
in the waters a ripple
once a breath twice life
5. blue fish
ocean lure–
we dig for stone fists
to ripple
the silence
a blue fish whispers to me
a broken flower
Copyright © by Alegria Imperial 2011
Five ‘haiku-induced’ shadorma, a Spanish sestet or 6-line poetic form in 3/5/3/3/7/5 syllables per line–my first attempt at it–in response to the Picture Photo Prompt Sunday (One Shoot Sunday) from photos of Chris Galford of graffit’d walls around the Lansing area in Michigan and posted at One Stop Poetry, the inimitable gathering place for poets and artists. Check us out!
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About
autumn wind
wondering about lilies
in a mountain pond
Tell me a writer who really gets a satisfying jornal, in Spanish a daily wage or its equivalent, and I’ll bare a spirit in constant bouts of doubtfulness. Does a writer earn more because of what he writes and how he does it? Or is a writer paid more or less because of who he is? Is it money or honor he expects to receive?
Ahhh … but money as wage, and praise or honor as reward would be too predictable, too common as Job lamented in the Book of Job. It is in these lines that read: “Is not man’s life on earth nothing more than pressed service, his times no better than hired drudgery? Like the slave, sighing for the shade, or the workman with no thought but his wages, months of delusion I have assigned to me, nothing for my own but nights of grief. Lying in bed I wonder, ‘When will it be day?’ Risen I think, ‘How slowly evening comes!’
Restlessly I fret till twilight falls. Swifter than a weaver’s shuttle my days have passed, and vanished, leaving no hope behind. Remember that my life is but a breath, and that my eyes will never again see joy.”
Not money but joy is the ultimate wage as the passage implies. And joy is not hard to earn for it is in everyday life if we have eyes to see, a nose to smell, fingers to touch, ears to hear–a heart beating. This to me, is how a writer earns a daily wage. His wages then take the guise of treasures his heart can transfigure into a universe of thought that taps into other hearts, that causes a swirl in the depth of other souls, or that makes wings to sprout on leaden heels.
Sometimes not joy but rueful, poignant moments are my pick. Take what I earned once: On my walk home in my neighborhood, I caught two clumps of snowdrops–such tiny blossoms smaller than fingertips that do not look up but shyly droop close to black patches on the ground winter has frozen. That afternoon in the frosty wind, they trembled as if ready to turn away and run but how could they? For that poignant moment on seeing the wintry rain beat on the fragile snowdrop–as if pushing it to go home now, go to sleep–I earned my jornal, my daily wage.
Once on summer walk, the crackle of dried leaves just hit me both like the laughter of children and sobs long suppressed. Neither one of them would resolve the dryness, but I recalled how each does bring tears: laughter for joy, sobs for healing that comes with the release of a dammed-up pain. My jornal that day came as two haiku.
Fall has since shortened the day and the heart begins to crave for lost space that it doesn’t even recall which or where. I feel that most treasures have turned into mush so much so I wouldn’t be able to sift them off the ground. Yet I caught the dying day yesterday–so glorious in the gold of autumn it opened a flip side of serene heaven. Blades of grass coated in diadems of rain that carpet the lawns render royal walks poor by imitation. A burst of red maple against an inky blue sky humbled me, a soul bragging about her skill to recreate beauty in words.
I suppose I’m taking Job’s reflections to heart. I’d rather not gloss over each day and look beyond what’s there, right before me, or else fragile as is my breath one day “my eyes may never again see joy” to write. With what then will I compare the eternal joy, the ultimate wage I await?
Yet for now, as other eyes hanker to make the invisible visible, I put a tag on some moments of joy. Like on seeing the snowdrops, I paid myself $200 as my jornal.
What could have been yours?
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jornales 
It’s awesome how you used the Shadorma to point out great background details, while at the same time presenting imaginative poems with feeling. I’m partial to…
“we sip dreams
no one knows of what–
were it earth
it would roll
drums beating down on our sky
to give up the stars”
Thanks, Adam! Thanks for such wonderful words for me!
Love the “sip dreams” line. I want to practice this form now: I have never tried it!
Thanks for this lovely comment, Julie! Yes, do try it. You’ll love it like I do now.
These are beautiful, Ali– I especially love this one:
we sip dreams
no one knows of what–
were it earth
it would roll
drums beating down on our sky
to give up the stars…
xxxj
Thanks as laways, Jenne! Always honored by your vist and your comments!
i am not familiar with the different forms of writing (free verse is my genre), but I do know good poetry and this was such a piece..
i took a wonderful adventure through your words which complimented the picture wonderfully..
What a heart-expanding way to say how you liked it, Lynne! Thank you so much!
This is so awesome. My favorite so far. Such skill of presentation and word choices. We dig for stone fists. And smiles for those who need one.. Expert. Very impressed.
http://henryclemmonspoet.blogspot.com/2011/06/my-andela.html
Thank you for picking this poem as your “favorite”, Henry!