Silence (perhaps a haibun inspired by Red Dragonfly)
Silence is not the absence of sound. A sheer wall in the mind perhaps. A blockade for the heart. One cannot hear a heartbeat. The whoozing of blood in and out of ventricles. Blubbering air in the lungs. A grumbling emptiness in guts. Random complaints from muscles trapped in passions.
Silence is a gaping space. Traps what fills air waves. Winds fissures of earth slurp. Secrets blossoms share. Coughing of uncouth machines. Grating wheels those dumpsters edging out magpies. The cawing of crows to be understood. Marble chirps colliding with fresh acorns among the pines. Sonatas on toes around the rim of dreams.
Births are seeded in silence. In secret. The first cry is a child of silence. Wakefulness its gender. Words its ears. And eyes.
morning glow
she watches tea leaves swirl
in the cup a bird
a quiver on an oak branch
a flight in the silence
(c) Alegria Imperial 2011
A morning exercise inspired by Melissa Allen’s sharing of her haiku and haibun in the current issue of Chrysanthemum. (Click on my blogroll for Red Dragonfly’s post today.) But for me, this is only an attempt at haibun. I think it’s more poetry outside of the genre and needs more work. I’m sharing it though as an example of how an inspiration springs and just flows or billows in.
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autumn wind
wondering about lilies
in a mountain pond
Tell me a writer who really gets a satisfying jornal, in Spanish a daily wage or its equivalent, and I’ll bare a spirit in constant bouts of doubtfulness. Does a writer earn more because of what he writes and how he does it? Or is a writer paid more or less because of who he is? Is it money or honor he expects to receive?
Ahhh … but money as wage, and praise or honor as reward would be too predictable, too common as Job lamented in the Book of Job. It is in these lines that read: “Is not man’s life on earth nothing more than pressed service, his times no better than hired drudgery? Like the slave, sighing for the shade, or the workman with no thought but his wages, months of delusion I have assigned to me, nothing for my own but nights of grief. Lying in bed I wonder, ‘When will it be day?’ Risen I think, ‘How slowly evening comes!’
Restlessly I fret till twilight falls. Swifter than a weaver’s shuttle my days have passed, and vanished, leaving no hope behind. Remember that my life is but a breath, and that my eyes will never again see joy.”
Not money but joy is the ultimate wage as the passage implies. And joy is not hard to earn for it is in everyday life if we have eyes to see, a nose to smell, fingers to touch, ears to hear–a heart beating. This to me, is how a writer earns a daily wage. His wages then take the guise of treasures his heart can transfigure into a universe of thought that taps into other hearts, that causes a swirl in the depth of other souls, or that makes wings to sprout on leaden heels.
Sometimes not joy but rueful, poignant moments are my pick. Take what I earned once: On my walk home in my neighborhood, I caught two clumps of snowdrops–such tiny blossoms smaller than fingertips that do not look up but shyly droop close to black patches on the ground winter has frozen. That afternoon in the frosty wind, they trembled as if ready to turn away and run but how could they? For that poignant moment on seeing the wintry rain beat on the fragile snowdrop–as if pushing it to go home now, go to sleep–I earned my jornal, my daily wage.
Once on summer walk, the crackle of dried leaves just hit me both like the laughter of children and sobs long suppressed. Neither one of them would resolve the dryness, but I recalled how each does bring tears: laughter for joy, sobs for healing that comes with the release of a dammed-up pain. My jornal that day came as two haiku.
Fall has since shortened the day and the heart begins to crave for lost space that it doesn’t even recall which or where. I feel that most treasures have turned into mush so much so I wouldn’t be able to sift them off the ground. Yet I caught the dying day yesterday–so glorious in the gold of autumn it opened a flip side of serene heaven. Blades of grass coated in diadems of rain that carpet the lawns render royal walks poor by imitation. A burst of red maple against an inky blue sky humbled me, a soul bragging about her skill to recreate beauty in words.
I suppose I’m taking Job’s reflections to heart. I’d rather not gloss over each day and look beyond what’s there, right before me, or else fragile as is my breath one day “my eyes may never again see joy” to write. With what then will I compare the eternal joy, the ultimate wage I await?
Yet for now, as other eyes hanker to make the invisible visible, I put a tag on some moments of joy. Like on seeing the snowdrops, I paid myself $200 as my jornal.
What could have been yours?
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Many exquisite turns of phrase in this, Ali– I like it that you leave it somewhat “uncooked”– silence resonates within all of us but how…we don’t know and then the compulsion to fill it or listen to it– thank you for picking up on my poem. I wrote it tears streaming down my face but in the aftermath, it feels whole. xxxj
Thank you for this wonderful comment on my ‘perhaps haibun’! I love how the turns of phrase strike you as ‘exqusite’! I do love your poem and I hope you read my OSW post, too! Thanks again.
“Births are seeded in silence” What a beautiful thought!!!
http://onestoppoetry.com/2011/04/one-shot-wednesday-week-41.html#comment-9141
Thank you!
So lovely, Alegria! I don’t think you really need any inspiration, though. 🙂
Thanks, Melissa! Yes, I do! I do that gentle push you give sooo well!