Light as magic (for One Shot Wednesday)
The essence of magic is light
says the puppeteer to me as I peer
through his box of a stage
yet but a shell of trash—
limp pieces of strings,
sleeping snakes of light cords,
tubs of light shades, the puppets
mere swaths of rags.
Life moves only where
there is light, he seems to chant,
invoking magic from his words. In the myth
of creation, God first bid Light with words and Light
burst into rays like wings or so the puppeteer
imagines.
You can ride on light,
the universe does, speeding and crashing
on taut streams of translucence. I can transform you
into a nymph under these lights,
the puppeteer turns
to me, sensing my longing.
Could I grow into wings if
I wish
and vanish in the light? I ask. Or
like my puppets be born
and live if only for a fraction
of light, he answers grinning. I hesitate
but then, step in to his box of a stage among scraps of life
and give in.
Copyright © by Alegria Imperial, 2006
My first published poem featured at http://www.winningwriters.com and critiqued by its editor, Jendi Reiter, December 2006
Posted for One Shot Wednesday at One Stop Poetry, winner of the 2011 Shorty Award for Art. Check us out or better yet, join members of this gathering place and share your love for your art among some of the most talented poets and artists ever.
10 Comments »
Leave a Reply
About
autumn wind
wondering about lilies
in a mountain pond
Tell me a writer who really gets a satisfying jornal, in Spanish a daily wage or its equivalent, and I’ll bare a spirit in constant bouts of doubtfulness. Does a writer earn more because of what he writes and how he does it? Or is a writer paid more or less because of who he is? Is it money or honor he expects to receive?
Ahhh … but money as wage, and praise or honor as reward would be too predictable, too common as Job lamented in the Book of Job. It is in these lines that read: “Is not man’s life on earth nothing more than pressed service, his times no better than hired drudgery? Like the slave, sighing for the shade, or the workman with no thought but his wages, months of delusion I have assigned to me, nothing for my own but nights of grief. Lying in bed I wonder, ‘When will it be day?’ Risen I think, ‘How slowly evening comes!’
Restlessly I fret till twilight falls. Swifter than a weaver’s shuttle my days have passed, and vanished, leaving no hope behind. Remember that my life is but a breath, and that my eyes will never again see joy.”
Not money but joy is the ultimate wage as the passage implies. And joy is not hard to earn for it is in everyday life if we have eyes to see, a nose to smell, fingers to touch, ears to hear–a heart beating. This to me, is how a writer earns a daily wage. His wages then take the guise of treasures his heart can transfigure into a universe of thought that taps into other hearts, that causes a swirl in the depth of other souls, or that makes wings to sprout on leaden heels.
Sometimes not joy but rueful, poignant moments are my pick. Take what I earned once: On my walk home in my neighborhood, I caught two clumps of snowdrops–such tiny blossoms smaller than fingertips that do not look up but shyly droop close to black patches on the ground winter has frozen. That afternoon in the frosty wind, they trembled as if ready to turn away and run but how could they? For that poignant moment on seeing the wintry rain beat on the fragile snowdrop–as if pushing it to go home now, go to sleep–I earned my jornal, my daily wage.
Once on summer walk, the crackle of dried leaves just hit me both like the laughter of children and sobs long suppressed. Neither one of them would resolve the dryness, but I recalled how each does bring tears: laughter for joy, sobs for healing that comes with the release of a dammed-up pain. My jornal that day came as two haiku.
Fall has since shortened the day and the heart begins to crave for lost space that it doesn’t even recall which or where. I feel that most treasures have turned into mush so much so I wouldn’t be able to sift them off the ground. Yet I caught the dying day yesterday–so glorious in the gold of autumn it opened a flip side of serene heaven. Blades of grass coated in diadems of rain that carpet the lawns render royal walks poor by imitation. A burst of red maple against an inky blue sky humbled me, a soul bragging about her skill to recreate beauty in words.
I suppose I’m taking Job’s reflections to heart. I’d rather not gloss over each day and look beyond what’s there, right before me, or else fragile as is my breath one day “my eyes may never again see joy” to write. With what then will I compare the eternal joy, the ultimate wage I await?
Yet for now, as other eyes hanker to make the invisible visible, I put a tag on some moments of joy. Like on seeing the snowdrops, I paid myself $200 as my jornal.
What could have been yours?
Recent Comments
alee9 on … madhuri on … alee9 on My latest at Bones journa… alee9 on My haiku awards alee9 on a beggar’s prayer
jornales 
I love the concept of this poem, Ali– the dialogue of speaker and puppeteer and the resonance “light” has throughout the poem. Lovely–xxxj
Glad you love it, Jenne! I think the dialogue that came smoothly when I wrote this makes sense of the magic, indeed. I wasn’t aware of it when I was ‘in’ and ‘with’ it only later and now. Thanks again!!!
Winningwriters is a good site – kudos on getting this published there. That’s quite the thing!
As to the poem itself, such a celestial dialogue, a spacey envisioning of the universe pulled along in this almost dreamlike, no, drug-induced haze. I say that for the trippyness of it. Engaging dialogue, and the image of the puppeteer is well-realized. Well-penned. Magical.
Wow!!! I love how you put it, Chris, love how the ‘magic’ worked on you. Now, it’s me who’s been uplifted by your words who feels spacey! Thanks so much!
this was a fun read…i think i might have give in as well…to create something as beautiful of me…i like this much…
Thanks, Brian! What wonderful words from you!
Outstanding use of symbols and metaphor to depict the need to create, reasons for doing so, and the artistic (quixotic) temperament.
Thanks, Adam! And you always get to the heart of what apparently works in my poems!
Nice to see some of your older work, Alegria. The dialogue you set up is fascinating, and the tension at the end, between words and light, of risk on the unseen is very well done. Lots of lovely language in there, too.
Generous words from you as always, Joy! Thank you!